Peart’s lyrics spoke to people every bit as much as his drumming. His first lyrical contributions came on the 1975 LP, Fly By Night and, “from there until Rush’s final studio album, 2012’s Clockwork Angels, he became known for his philosophical musings on road life and restless souls; sharp critiques of power and greed; fantasy-tinged vignettes; and incisive political and social commentary, cloaked in metaphor, per NPR.

Peart was also a role model for fans for more than just his percussive abilities. NPR notes that his “air of well-spoken authority” and “knowledge about a variety of topics, owing to his extensive global travels earned him the nickname “The Professor.” On Rush tours, he was said to take off on bicycle rides and, later on “would hop on his motorcycle to travel between gigs … In his 2002 book, Ghost Rider: Travels on the Healing Road, he described going to art museums in the afternoons before Rush concerts ‘to feed my growing interest in paintings, art history, and African carvings.'”

Despite being considered one of the world’s greatest drummers, Peart remained a student to the end of his career, taking drum lessons while touring, and never let his head get bigger than his drumset. During Rush’s Rock and Roll Hall of Fame induction speech, he shared a favorite quote of his by Bob Dylan, taken from a 1978 Rolling Stoneinterview: “The highest purpose of art is to inspire. What else can you do for anyone but inspire them?”

In that respect, Peart reached the pinnacle of art in his lifetime.